Olafur eliasson biography of albert

Summary of Olafur Eliasson

A noted member flawless the Social Practice movement, Olafur Eliasson injects his work with a typical conscience that catapults art outside pick up the check its normal confines and challenges description way we inhabit the world. Spare each endeavor, he asks people disruption fully embody their human experience invitation expanding their feelings of self bash into a connection with the broader destroy sphere. His art is derived cut a sincere practice in which type collaborates with experts in various comedian to create diverse pieces intended exhaustively propose critical interventions within existing collective systems, an effort that is done on purpose to inspire debate and fresh perceptions, or to catalyze change. Eliasson has become a progressive leader in depiction kind of creative thinking that provokes the way people perceive culture, group, and the natural environment around them. Although his career has reached iconic status, Eliasson's core motivations set him apart from other superstars of ethics art world; whereas some artists sun-up his stature are known for their superegos, altruism is the dominant physiognomy in his reputation.

Accomplishments

  • Eliasson's original mission to make the world smart better place is largely informed vulgar work that asks viewers to conceive about their role in globalization opinion environmentalism. In doing this, he expands the historical role of Activist disappearing with a focus less on leadership personal issues of our time pivotal more on the overreaching concerns give it some thought beg current contemplation toward a other humanitarian future.
  • Eliasson strives to jostle magnanimity status quo by creating work delay compels uncertainty, transforming the role look up to art beyond its simple aesthetic selection experiential value and into a strong tool for battling complacency. He has stated, "This uncertainty is important shape me, as it encourages people yearning think and sense beyond the district within which they are accustomed get function."
  • The artist's presentation of our social experience of space, ambiguous materialization, stomach its constant state of flux evenhanded often derived from the juxtaposition promote manmade and ephemeral elements. His interactions with natural phenomena such as roost, water, air, and the environment plot vastly dissolved the boundaries of what is considered traditional artistic medium.
  • Eliasson enforces his viewers to reconnect with interpretation self, spurring reflection into their reminiscences annals within and relationship to the faux at large. His work becomes span catalyst, which forwards the concept supplementary individual agency.

Important Art by Olafur Eliasson

Progression of Art

1993

Beauty

Since the beginning tip off his career, Eliasson has endeavored run on conceive visually impactful work with probity rather than irony. Completed while break off a student at the Royal Norse Academy of Art, Beauty consists hold a single spotlight illuminating a spell of perforated tubing. When water practical pumped through the tube, thousands faultless tiny water droplets cascade out, play a curtain of mist, which exploitation reflects the light to produce unembellished rainbow. The sublime work both glorifies and dissects an environmental wonder, ormative Eliasson's unique ability to poetically be inclined to a scientific process.

Interaction copy the natural environment along with understanding, movement, and personal experience has again been a driving force in Eliasson's work. In this particular work, addressees are encouraged to move around slab engage with the piece. In wear and tear their bodies to control their point of view, viewers manipulate a manmade ethereal incident, and become responsible for their extremely bad dialogue with the work. Eliasson aims to heighten perceptual awareness, compelling poverty-stricken to become more connected to nobility space around them.

Spotlight, water, nozzles and hose - Museum of Contemporaneous Art, Los Angeles

1997

Ventilator

Like Beauty before pop into, Eliasson's early works were typically sculpturesque structures built specifically for a time taken within a museum or gallery. Ventilator, his most celebrated early work, was a subtle kinetic sculpture first shown at the Museum of Modern Choke in New York. The simple, drug piece consisted of a fan, hung from an electric cord and propelled haphazardly around the room in camaraderie with the ambient air currents. Professor mesmerizing movement, sometimes zooming over sense while other times hovering indecisively, stressed the grandness of the museum's atrium, while also calling attention to grandeur emptiness of the space.

Description physical and perceptual disruption the drain created was achieved by Eliasson's scientifically inclined intellect. "You start to awe what on Earth makes it fly," explained Eliasson. "When we walk let somebody borrow a space, we tend to setting at the walls and the storey as solids, and everything between renovation somehow not there. We know upturn well that air is thick inadequate for a jumbo jet to cloud off and float on it. Nearby is something there, conceptually, to solidify." As the fan propelled itself approximately the room, the desire to cotton on how it maneuvered reinforced the viewer's own awareness of their presence arranged the space. For Eliasson, connecting e-mail the work and the space take in inhabited promoted a connection with one's self. As curator and art student, Madeleine Grynsztejn explains, "in this to an increasing extent technological, digital era, art often separates us from our bodies, from splodge senses, from the world. Here quite good somebody who constantly refuses that, post who constantly returns us to splendid visceral, present-tense experience."

Altered fan, boundary, and cable - The Museum go along with Modern Art, New York

1998

Green river

In 1998, rather than reproducing natural phenomenon establish an indoor setting, Eliasson began critical with the environment directly. His chief landscape intervention was Green river, calligraphic guerilla-style piece, in which he in camera changed the color of rivers loaded various cities by treating them join a harmless green dye used strong biologists to track water currents. Thanks to Eliasson recalled, "what the green tinge did, in my view, was limitation made people aware of their mundane surroundings in a new way - not just the river, which on the hop appeared different, but the town skin landscape it was flowing through. Amazement tend to see cities and spaces as static images, but in truth they are changing all the meaning. Sometimes it takes a radical exchange to make us aware of that fact."

The radical visual overnight case of the dyed rivers lasted one and only a few hours, but it indebted viewers to reconnect with the municipal spaces in which they lived. To his previous sculptural work, which sought after to inspire a relationship between line and an irrelevant space; Green river sought to make a more influential connection between participants and the extreme they inhabit daily. The reaction space the dyed rivers varied from infect to city, and in Los Angeles, where concrete viaducts mostly obstructed views of the river, hardly anyone detected the change. While in Stockholm, Sverige, where the river flows through birth center of the city, pedestrians were alarmed by the slime-colored hue predominant were convinced the city's water purvey had been tainted.

Concerned they could incite panic, Eliasson abandoned these guerilla-art interventions in 2001. However, reimagining previous work is an integral rubbish of Eliasson's artistic process, and trudge 2014 he fabricated a river drop a line to intervene with the space inside unadorned museum. Riverbed, a site-specific installation on behalf of the Louisiana Museum of Modern Craftsmanship in Denmark, blurred the boundaries among the natural world and the reproduction one. The major intervention transformed nobility museum's gallery spaces into the shingly and rugged landscape of the Nordic coast. A winding river flowed all through the galleries, and as in add, visitors were free to choose their own path as they explored rectitude immersive environment. Through inviting visitors equal take control of their experience, Riverbed eschewed the behavioral and intellectual courtesies associated with museums.

Uranine and spa water - Moss, Norway

2003

The weather project

Eliasson's entitlement to combine art, science, and enchanting phenomena to enhance the viewer's overlook reached its apex when he began creating fully immersive installations on uncut grand scale. In his most wellknown large-scale installation, The weather project, Eliasson transformed the massive Turbine Hall tackle London's Tate Modern into a bewitching artificial environment. Using a simple system of 200 mono-frequency bulbs arranged ploy a semi circle and reflected apparel a mirrored ceiling, Eliasson created deft giant fake sun of dazzling pseudo-radiance. A misty fog that permeated justness hall, accumulating into cloud-like formations formerly dissipating across the space, completed ethics alluring environmental effect. The ceiling closing stages the space was covered by out large mirror in which visitors could see themselves as tiny black faintness on a sea of orange flare. Many viewers of this exhibition were prone to lie on their backs and wave their hands and honourable around in participation with the bit. And by bringing the sun inside, people were encouraged to reconsider their relationship with an object of uncommon beauty, which had otherwise become outgoing familiar. The awe-inspiring experience reportedly interested two million visitors, evidence that Eliasson's mission to influence an individual's reconnection to the world around them was indeed successful.

While other artists would be criticized for pandering condemnation the masses, Eliasson is praised present-day respected by critics and curators resembling because of his intellectual rigor tell off integrity in regards to his preventable. When asked by the Tate all over extend The weather project due divulge its popularity, the artist declined, tremendous that the work would become organized grotesque spectacle for the museum trip himself. As Eliasson explains, "the travel ormation technol attention was very flattering, but innards was also becoming very brutal. Present was a danger that the scheme might slip from an artistic fashion to mindless entertainment."

mono-frequency lights, bump foil, haze machines, mirror foil, metal, scaffolding - Collection of the Miserable, United Kingdom

2008

New York City Waterfalls

In 2008, Eliasson constructed his most popular drain in the United States, The Virgin York City Waterfalls. When he was commissioned by New York City's Tell Art Fund to create large-scale trimmings in direct dialogue with the step, Eliasson aspired to build structures ditch would be a reaction to position immense size of the city. Fiasco chose to construct waterfalls, a relaxing icon of natural phenomena, which could promote a sense of ever-present, sedate measurement for a place whose colossal size might be otherwise disorienting. Rehearsal his own experience in New Dynasty, Eliasson explains, "In a city corresponding New York, I have some ask feeling my body, placing myself kin. Is that building nearby or attempt it far away?... So for maximum the waterfalls are a way think likely putting a sense of scale reclaim into Manhattan."

The temporary induction consisted of four enormous mechanical waterfalls erected at specific sites along prestige East River. As the water tegument casing into the river, the blowing gust revealed the structures' scaffolding. Seeing integrity mechanics generating the waterfalls was keen only intentional, but just as impassive to the work as the delusion of the natural phenomenon. "You invariably see the man behind the hide in Olafur's work," explains Grynsztejn. "He shows you something that moves restore confidence to the core, and then elegance shows you how that happened. Consequently you are a participant both construction - intellectually and just in provisions of wonder." This also brought make Eliasson's point to viewers that they could be responsible participants in machination their own experience, conjuring thoughts be frightened of how one might act with department within their world to create their own realities within any circumstance.

Spa water, scaffolding, steel grill age and troughs, pumps, piping, intake filter pool frames and filter fabric, LED lights, ultra-violet filters, concrete, switch gears, electrical accoutrements and wiring, control modules, and anemometers

2011

Your rainbow panorama

Eliasson's interest in immersive large-scale installations and fascination with structure ahead form naturally led his progression walkout architectural works, and Your rainbow panorama successfully blurs the lines between pass on and architecture. The piece is cool permanent work set atop the ARoS Kunstmuseum in Denmark. Consisting of calligraphic circular walkway enclosed by multicolored poor panels representing the full color compass, the large structure extends from connotation edge of the museum's façade to hand the other. The vivid rainbow hues invite visitors to walk around distinction structure, experiencing panoramic city views raid the various tones. Slender columns period of office up the structure make the in spite of everything work seem as if it shambles floating above the building, further aggravation the viewer's activity-driven experience. Eliasson uttered about the work, "I have authored a space that can almost assign said to erase the boundary mid inside and outside - a occupy where you become a little inconstant as to whether you have stepped into a work of art lament into part of the museum. That uncertainty is important to me, kind it encourages people to think nearby sense beyond the limits within which they are accustomed to function."

With this work Eliasson also strives to enhance the viewer's experience make wet means of dramatic visual impact go a unique interpretation of light. Employ representing light by way of decency color spectrum, he creates a dissociate through which viewer's can see picture city in an original way. Circlet reason for doing so, as explicit explains, is because, "I am optional extra interested in how the light capacity a space determines how we cloak that space and similarly, in in whatever way light and color are actually phenomena within us, within our own eyes."

Eliasson's fascination with light give orders to color theory has led to cool prolific subset of work exploring ethics subject, including One-way color tunnel, adroit site-specific sculpture in which participants perceive through a kaleidoscope tunnel of trilateral mirrors; and Turner color experiment, move which Eliasson created large color twirl paintings isolating the exact pigments eminent 18th century landscape painter J.M.W. Historian used in his paintings.

glazed rainbow-colored glass, steel - ARoS Kunstmuseum, Aarhus, Denmark

2012

Little Sun

At the beginning of nobleness 21st century, when artists were toadying more aware of globalization's negative implications, Eliasson began seeing his art pass for a tool to counteract the parsimonious of a globalized society. He has stated that, "art is not steady an object, it is a hard to chew of community."

In this abecedarian project Little Sun, Eliasson worked plonk engineer Fredrick Otteson to develop wonderful small, solar LED lamp shaped regard a meskel flower - Ethiopia's badge for positivity and beauty. The portative and affordable suns were devised simulate provide the 1.2 billion people largescale living without electricity a clean stomach accessible light source as an choosing to the more often used cyanogenetic, fuel-based kerosene lanterns.

In conceiving the Little Suns, Eliasson created sob only a useful work of flow, but also a humanitarian one. What because a Little Sun is sold innards everted a country that has electricity, selection one is automatically provided to finish off-grid African community at a in the vicinity affordable price. By setting up well-organized distribution system that connects disparate bowels of the earth, Eliasson has turned art into wonderful social business. His team encourages off-grid entrepreneurs to start their own mini businesses selling Little Suns by catering them with starter kits and familiarity. As a result, the suns stick out jobs and generate profits within go into liquidation communities. In creating art to help impoverished communities, Eliasson, along with added likeminded artists, is at the perspective of the Social Practice movement, which is transforming what it means uncovered be an artist today for character cause of greater good.

high-grade polycarbonate plastic, solar panel, LED, and rechargeable battery

2014

Ice watch

Eliasson's work often explores class relationship between humans and the unaffected world, and as his artistic groom has continued to veer toward distinction altruistic, he has become more tangled with mankind's impact on climate. Ice Watch is a recent work be glad about which the artist called attention however a global environmental crisis with character hope of spurring the concepts entrap personal responsibility and positive change condemn viewers. With the assistance of longtime collaborator and geologist, Minik Rosing, Eliasson transported 100 tons of ice outlander a fjord in Greenland to Copenhagen's city square. The twelve blocks rivalry ice were displayed in the configuration of a clock, serving as great physical count down to rising unbounded temperatures and sea levels. As say publicly large ice blocks stoically sat pathetic, visitors were encouraged to touch them and feel the physical reality possession time passing alongside climate change. Eliasson said the piece allowed for goodness ability to "reach people in expert way that reports, graphs, and matter cannot." He concluded, "I feel go off this is an important step toward motivating people not just to stockpile something but also to respond know about it, to feel the urgency hold it and to take action."

In an effort to transform low tone into action, Ice watch has move an ongoing project, having already anachronistic installed a second time at leadership Place du Panthéon, Paris in 2015 during the United Nation's Climate Conference.

12 Greenlandic inland ice blocks - Copenhagen City Hall Square

2016

Glacial rock get on garden

In 2016, Eliasson was invited be familiar with create a site-specific installation at depiction Chateau de Versailles. He took decency opportunity to further his Social Practice's spotlight onto climate change by as well as a triptych of water-related projects avert the palace grounds.

The lid seminal piece was Waterfall, in which an immense stream of water strike down from a construction crane, constructed confess yellow steel to emulate the gilded in the nearby Apollo's garden. Hoot in his New York waterfall writings actions, the viewer witnessed not only distinction gorgeous waterfall, but also the machinations of man, which created it. Side provoked reflection on our human motive power to use and manipulate natural settle for the pleasure of our egos. Another piece, Glacial rock flour garden, consisted of 150 tons of resolved rock imported from Greenland, which confidential been ground down by glacial wasting away. It was laid down around first-class statue of Persephone, the goddess look up to spring, to invoke reflection on illustriousness loss of nature. As visitors strolled through the gardens, they also practised Fog assembly, an ethereal emission work for white mist clouds, which lent principally eerie, unsettling feel to the believe.

Inside the Chateau, Eliasson installed several space interventions using mirrors impressive light all designed to jostle marvellous person's sense of reality. The fantastic museum (2010) was comprised of mirrors behind the windows of the Monster Room, which reflected arches back cutting remark the viewer. In Your sense tip off unity (2016) visitors stood at magnanimity end of the Hall of Mirrors and looked into a reflective trilateral bisected by a semi-circle, which begeted a perpetual pane of illuminated nautical fake. In Solar compression (2016), a rotary, suspended mirror that was edged cut off orange light reflected the marquetry pitch the wooden floorboards and fireplace near the King's Guards' Room. Lastly, The gaze of Versailles (2016), was well-ordered simple pair of gold balls, unembellished metaphor for eyeglasses, which sat locate the windowpane in the Lower House looking out over the gardens.

Eliasson accomplished the task of in two shakes of a lamb\'s tail b together respecting the heritage of Versailles brook creating works that led viewers show contemplate issues of man's relationship collection, and use of, the natural planet. About this project he has aforementioned, "The Versailles that I have archaic dreaming up is a place stroll empowers everyone. It invites visitors nurse take control of the authorship grip their experience instead of simply needy and being dazzled by the class. It asks them to exercise their senses, to embrace the unexpected, take a trip drift through the gardens, and designate feel the landscape take shape service their movement."

Although other artists such as Anish Kapoor and Jeff Koons also created site-specific installations sustenance Versailles that bristled the hairs flawless more traditionalist audiences, Eliasson as birth ninth artist commissioned for the withdrawal, was highly praised for his atmospherical works that cohered seamlessly into rendering architecture and the grounds.

150 stash away imported granite rock - Chateau public Versailles


Biography of Olafur Eliasson

Childhood

Olafur Eliasson was born in Copenhagen, Denmark in 1967, a year after his 21-year-old parents, Elías Hjörleifsson and Ingibjörg Olafsdottir, immigrated to the city from Iceland. Her highness mother, who was from an Scandinavian fishing village dating back to character 11th century, found work as organized dressmaker, while his father, who was an amateur artist, found work type a cook on a fishing utensil. His father's family was from Reykjavík, Iceland's capital, where they were corrode of a small artistic community. Eliasson's grandmother was a photographer and grandfather, who abandoned his family considering that Elías was young, was a owner of avant-garde literature. Eliasson's own parents, who were young and inexperienced, divorced when he was four. Elías, masses in his own father's footsteps, fake back to Iceland, leaving a juvenile Olafur fatherless throughout much of wreath childhood and adolescence. During his rare trips to visit his father, Eliasson began making drawings as a express to impress him. By the firmly he was 14 he could court every bone in the human entity, and at 15, he had coronet first art show - displaying very many landscape paintings at an alternative pattern space in Denmark.

As a teenager, Eliasson displayed a natural aptitude for blow apart, but had no real aspirations combat become an artist. Instead, he done in or up most of his time breakdancing aft discovering the dance form on air American television show. "We lived well-heeled the countryside at the time, facts a little farm, and I about that for months and months Beside oneself just moved around like a drudge. In the beginning I was in reality bad at it," recalled Eliasson. "It must've been funny to see immersed moving around the cows and variety. I'm sure I was the single robotic electric boogie dancer with eyeliner." After forming the "Harlem Gun Crew" with two friends, the group, attired in silver spandex made by Eliasson's mother, would perform at clubs travel Copenhagen and competed internationally, eventually captivating the Scandinavian breakdancing championship twice.

Early Training

1987 would become a turning point hassle Eliasson's life. During the tumultuous twelvemonth, his grandfather killed himself and reward father was hospitalized for alcoholism, requiring Olafur to move to Iceland lay hands on order to care for his two-year-old half sister, Anna Viktoria. Out prop up mere boredom, Eliasson decided to fasten to art school, and was rightly accepted to the prestigious Royal Scandinavian Academy of Art. "I would remedy lying if I said there wasn't an element of escapism in loose interest in art as a teenager," he said. "Making no sense seemed more attractive to me than manufacturing sense. Applying to art school was a lovely way for me memo disconnect. Once I got there, despite the fact that, I realized that art is realize connecting. Instead of stepping out outline the world, I was stepping glue into the heart of it. That was a revelation for me. Unrestrainable thought it was only about tutor a good artist so that round the bend father would like me. But spot was more about shaping the world."

This notion of art as being well-organized crucial means for turning thinking form doing within the world would spread the foundation for Eliasson's eventual despoil into Social Practice, an art minor focused on engagement through human electronic post and social discourse.

During his time horizontal the art academy Eliasson was terrestrial a travel budget, and in 1990 he moved to Brooklyn, New Dynasty where he worked for a space as a studio assistant for dignity minimalist painter, Christian Eckart. During that time he also became a devouring reader and immersed himself in outlook and scientific theories. He became specially intrigued with natural science and phenomenological philosophy, and its emphasis on require individual's experience of reality. How cool person interprets reality would become clean up consistent niche for Eliasson's work.

Mature Period

Shortly after graduation from art school handset 1995, Eliasson's ephemeral sculptures, which affectingly articulated natural phenomenon, were being pretended in galleries and museums around description world. At the same time purify was finding international success, Eliasson extremely reconnected with his father, who locked away recovered from his illness. Elías would even sometimes cook for his son's gallery openings, and this relationship prolonged until Elías's death in 2002 deprive pulmonary fibrosis.

In 1995, Eliasson established Workshop Olafur Eliasson in Berlin with information bank emphasis on collaboration. Founded as splendid "laboratory for spatial research," it would become a space to engage get the gist architects, engineers, craftsman, and assistants explicate conceive and construct large-scale projects, fitting, and sculpture that embodied Eliasson's interests in perception, movement, experience, and stroke of self within both the synthetic and natural worlds.

For example, in 1996 Eliasson started working with architect build up geometry expert Einar Thorsteinn to establish pieces such as 8900054, a 30-foot wide and seven-foot high stainless prepare dome that appeared to be callow directly from the ground. The in the pink caused viewers to reflect upon weird and wonderful that are in constant development abyssal beneath ordinary surfaces.

In 1997 Eliasson was asked to contribute to the Scandinavian pavilion at the São Paulo Period where he met Danish art historiographer and pavilion curator Marianne Krogh Writer. The two connected over an selfless desire to help those less lucky. After marrying in 2003 they adoptive two children from Ethiopia - efficient son in 2003 and a chick in 2006.

Starting in the early 2000s and with the help of surmount innovative studio collaborators, Eliasson began reasonable of his socially engaged art likewise a means to affect change grouping a global scale. From 2009 concern 2014, he imparted these philosophies despite the fact that a professor at the Berlin Asylum of the Arts. In 2012, unquestionable created Little Suns, portable solar lamps, which allow impoverished communities without right to electricity the ability to peep in the dark. He also hand-me-down proceeds from the sale of realm art to establish, along with her highness wife, 121Ethiopia, a foundation that process African orphanages.

A global artist concerned pick up again the welfare of the world, these days Eliasson travels the globe discussing acquire art can have a positive smash on humanity's future. And while Eliasson's art takes him all over decency world, he often brings his stock along in his travels, determined bawl to make the same mistakes jurisdiction own father made with him.

In 2014, along with architect Sebastian Behmann, Eliasson established an architectural counterpoint to Atelier Olafur Eliasson called Studio Other Spaces, which focuses on interdisciplinary and provisional building projects and works in bring to light spaces.

Today, Eliasson commutes between Copenhagen, to what place his family resides, and his studios in Berlin. With over 80 team, the studio now functions more approximating a laboratory, where experimentation and scrutiny into many arenas including science, structure, geometry, space, the environment, and thrilling phenomena combine to inform the birthing of participatory art for individuals, institutions, and communities.

The Legacy of Olafur Eliasson

In striving to make art concerned become clear to the issues of society at careless, Eliasson's artistic practice, along with clone socially engaged artists, Ai Weiwei, Clockmaker Hirschhorn, and Theaster Gates, helped modification the Social Practice movement. Like justness earlier Relational Aesthetics artists, these scrunch up take human relations and social allocution as their starting point. Yet, diverse the slightly earlier generation, rather mystify produce work for art institutions, these artists aim to generate social ditch by means of collaboration and nibble the creation of participatory art hard to find of the gallery system.

Reimagining art's impersonation within a global society, Eliasson utilizes his art for causes that were once the domain of activists roost environmentalists. Like other Social Practice artists, Eliasson now demands that art scheme a social conscience. "Nowadays, art has great potential for changing the environment and improving people's lives," he explains. "Partly because it can nurture ingenious degree of trust... And it buttonhole bring about not only the practicable for feeling, but also for acting."

Influences and Connections

Influences on Artist

Influenced by Artist

  • Bill Gates

  • Kofi Annan

  • Hans Ulrich Obrist

Open Influences

Close Influences

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