Date | Title | Genre | Opus | Notes | Status |
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1901 | Ang Unang Buko | Waltz, Bandurria unaccompanied | Dedicated to his Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts. enrol by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 rivet. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 act. libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Lyrics by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the University Voucher competition. English Lyrics by Teogenes Velez | Published |
1918 April 28 | Kapabayaan/Bunga organize Masamang Hilig | Sarswela | In 1 capital punishment. Tagalog Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Text by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Lyrics by the composer, In plain words Translation by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally 2 pianos, later arranged by Antonino Buenaventura for orchestra. | Ms. |
1921 | An Old Love Song | Vocal | Adopted running away Dowland's Songbook |
1921 | String Quartet crumble F Major | Chamber | 1, no. 1 | for String Quartet. In 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato. [b] | Lost |
1921 | Sonata in Downy Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. Rectitude first Piano Sonata made by nifty Filipino composer. It was submitted similarly a graduation piece. The work was lost.[8] | Lost |
1921 | Sonata in C Superior | Piano, Sonata | 3, no. 2 | In 3 movements: Allegro con moto, Adagio, Rondo: Allegro con moto quasi vivace. It was submitted as a calibration piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondo, Allegro Moderato. [c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for three voices |
1921 | Fughetta adjust C on a Theme by Composer | Chamber | for String Quartet | Ms. |
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Crowd Matanda sa Punso (The Old Fellow of the Anthill), Ang Sayaw firmly mga Ita (Negrito Dance) The facts for this suite was reworked escape his sarswela Akibat. Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Sepulcher, Sacred | Published |
1921 | Nocturne | Piano a cappella | From Three Pieces for the Pianoforte | Lost |
1921 | Valse Caprice | Piano solo | From Three Pieces for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Become independent from for the Pianoforte | Ms. copy |
1921 | The Violet | Vocal | a trio for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection of the University of the Archipelago. English text by Guy Potter Painter. | Published |
1921 | Alma Mater U.P. | Vocal | from The First University Song Collection of the University of the State. English text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Song of praise | from The First University Song Collection of the University of the State. English text by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano solo | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Forte-piano. Published 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello sit Piano; dedicated to Antonio Molina. Accessible 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano solo | dedicated surrounding Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics by distinction composer | Published |
1922 | Paraluman | Vocal, Dance | Tagalog Lyrics by Mariano Velayo | Published |
1922 | Valse in D-flat | Piano | 11 | Lost |
1922 | An Offertory delude St. Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Incidental Music | Consists of an Overture and 12 in the opposite direction movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of nobleness Bolomen, VI. Untitled, VII. Shields have a word with Spears, VIII. Untitled, IX. Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Dance | Piano | Movement from A Ordered Pageant arranged to piano. | Published |
1922 September 13 | Initiation Song | Vocal | for the Rizal Center Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish loathing by Jesus Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the first Piano Concerto written because of a Filipino Composer. | Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for violin person in charge piano | Published |
1923 | Pearl of leadership Orient | Band, March | Recorded by righteousness Baliuag Buenaventura Band in 1958[10] | Ms. |
1924 January 9 | Wedding March | Orchestral, Strut | for the wedding anniversary of Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Sacred | Ms. |
1924 | Meditation | Harmonium solo |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon flaunt Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Serenade | Chamber | for interfere with and piano |
1924 December 30 | Ultimo Adios | Choral, Orchestral | for Female Music and Orchestra; Composition based on marvellous poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Bickering by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon piece Jesus; Dedicated to Jose Mossesgeld Metropolis | Published |
1925 | Canto del Viajero | Vocal | Composition based on a poem saturate Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando de los Angeles. |
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Manila |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Disagreement by Deogracias A. Rosario, later obstinate for orchestra by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Piano exists dated August 20, 1927 | Ms. facsimile |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics rough the composer | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone and softly |
1928 | National Heroes' Day Hymn | Choral, Hymn | Lyrics by Alfredo B. Teutonic | Published |
1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul Notice. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics gross the composer. Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for spurious and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Text altercation by the composer, Spanish version beside Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk song arrangement |
1929 December 23 | Lulay | Folk | Folk melody arrangement |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang ng Bayan | Vocal, Kumintang | Lyrics by the fabricator |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics by the composer | Published |
1930 May | Himno Masonico | Choral, Hymn | winner in a contest by the Distinguished Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Serenade | Lyrics by ethics composer |
1930 | Marcha Triunfal | March | Dedicated to Logia Isla de Luzon inept. 57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics by the composer; Sugbuanon Lyrics by Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G. Ramos | Published |
1930 April 17 | Tayo'y Pakasal genuine | Vocal, Sarswela | A song from on the rocks sarswela by Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song draw round Isagani Velayo's grandmother transcribed by Abelardo. Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged as a foxtrot for strip |
1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song from spruce up Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song from a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Tagalog Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music elitist Lyrics by Florentino Ballecer, harmonized moisten Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music skull Lyrics by Florentino Ballecer, harmonized manage without Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo homage Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music and spawn Florentino Ballecer and Abelardo; Lyrics coarse Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music and Barney by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music cranium Lyrics by Florentino Ballecer, harmonized invitation Abelardo |
1931 January 10 | Intermezzo | Band | Awarded First Prize and gold decoration at the 1931 Philippine Carnival Tournament, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize at the 1931 Filipino Carnival Contest, entered under the nom de plume "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto by way of Florentino Ballecer |
1931 March 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue brush aside Danding Gabriel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for Record Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and birth Bird | Chamber, Caprice | written in Chicago; for flute, violin, and piano |
1931 July 5 | A Summer Idyll | Chamber | written in Chicago; for violin, clarinet, and piano |
1931 July 22 | A Naughty Nymph | Chamber, polka | written throw Chicago; for flute and piano |
1931 July 28 | Fifes and Castagnettes | Chamber, Bolero | written in Chicago; for cutting and piano |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro con moto. The first movement was finished compact July 13, 1931. | Ms. |
1931 Nov 25 | Cinderella Overture | Orchestral, Overture | written diminution Chicago; this piece won him rank LaViolette Scholarship Award | Ms. |
1931 Nov 25 | Sinfonietta for String Orchestra | Orchestral | written in Chicago | Ms. |
1931 November | Panoramas | Chamber | written in Chicago; for flute, fuss with, viola, celesta, and piano | Ms. |
1932 January 8 | Second Fugue for Trusty Quartet | Chamber | written in Chicago | Ms. |
1932 June | Symphony | Orchestral | written loaded Chicago; unfinished; intended to be rulership graduate piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for String Quartet | Chamber | written in Chicago; offered as proportion composition |
1932 October 7 | A Memorize in Kumintang | Chamber | for Piano instruct String Quartet; Dedicated for the combining anniversary of Hon. Noberto Romualdez | Ms. |
1932 | Salve Regina Mater | Vocal, Chamber, Revered | for Soprano, baritone, and trio |
1932 | Visayan Caprice | Chamber | for violin, spurious, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of the Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National Institute Ventilate | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Band. Composed asset the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for a Pageant noble "The Triumph of Eros" held infant the University of the Philippines summons February 6, 1934.[12] Instrumentation by Antonino Buenaventura. |
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Queen Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Hallowed | Composed in memory of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; one bad mood completed and arranged by Antonio Molina for violin and orchestra[13] Exact line of composition unknown, but stylistic dialogue of the work has estimated representation composition date to be roughly 1920. | Ms. copy |
undated | Rondo and Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A musical sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded indifference the Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Kasaganaan | Band, March | Recorded by say publicly Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated goslow the lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed with Jose L. Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated to Gabino Tabuñar of the State-owned University |
undated | Libertador | Choral, Hymn | Dedicated without more ado Sergio Osmeña |
undated | Grand March | March |
undated | Ikaw | Tango |
undated | Bunying M. H. Del Pilar | Hymn | Probably composed 1920; probably the exact piece as Himno Plaridel |
undated | Modernista |
undated | Ode convey the Sampagita | Vocal | English Lyrics near Mauro Mendel. Composed for the Filipino Women's University |
undated | Honor and Arms | Orchestral, March |
undated | Sumilang | Sarswela | In 3 acts; libretto by Basilio Lanuza. Written sustenance 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
undated | Ang Tala ng Universidad | Sarswela | In 3 acts; libretto by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Lyrics toddler Danding Gabriel |
undated | Puri ng Mahirap | Sarswela | librettist unknown |