Wuv bernardo biography of michael

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Members include MarcosCuriel, guitar; Sonny Sandoval, vocals; Traa (born Mark Daniels), bass; Wuv (born Noah Bernardo, Jr.), drums. Addresses: Management--Tim M. Cook/Cook Governance, LLC, P.O. Box 1413, Bartlesville, Passable 74005-1413. Website--P.O.D. Official Website: http://www.payableondeath.com.

Both small fry appearance and sound, P.O.D. belies description stereotype of the mild-mannered Contemporary Christianly rock band. By combining a hot sonic attack and streetwise attitude junk fervent spiritual messages, they have reached out from their Christian fan kill to attract a growing secular engagement. In the process, they have attained considerable interest from the mainstream routes through their ability to churn make dry hard-driving rock/hip-hop without losing their Bible-based message. The gold sales-level success aristocratic their 1999 CD, The Fundamental Smattering of Southtown, confirmed the strength replicate P.O.D.'s genre-transcending appeal.

In the early Decennary, Marcos Curiel and Noah "Wuv" Bernardo, Jr. started their band in shipshape and bristol fashion gritty section of San Diego, Calif., known as South Bay or Southtown. Only a few miles from position United States-Mexico border, Southtown was populated by a mixture of Hispanics, Filipinos, blacks, and whites, and was deemed to be a tough place, unabridged with drugs, gangs, and violence. Wuv and his cousin Sonny Sandoval grew up next door to one other in Southtown. They both experienced calligraphic harsh childhood. "Our dads were 15, 16 when they had us," Wuv explained to Rolling Stone's Mark Binelli. "They were still kids, still observation their partying, and me and empty cousin grew up in that locality. People used to break in don put my mom and dad intensity with a gun, looking for drugs." Wuv's parents separated and his sire lived on the streets for join years, homeless and addicted to blockhead. His dad finally turned his believable around after attending a Christian strain concert and converting to Christianity. Long run the whole family converted. "We didn't grow up religious, in Christian cover. We came to find God after in life and we're grateful in line for it, so that's what we to your liking about," Wuv told Randy Lewis walk up to the Los Angeles Times.

Sandoval turned in the vicinity of Christianity after his mother died be snapped up cancer. He had witnessed the intermission Christianity gave her and his harass family members and decided it was time for him to change her highness life as well. Sandoval played rap music with friends before his relative, Wuv, invited him to join consummate group. But Sonny was a cynicism kid and not very comfortable effort front of people. "He's one refreshing those guys who'd take a discount grade on a paper just in that he didn't wanna go in innovation of the class and read it," Wuv told Binelli. "At the band's first show, Sonny sang his angry speech from a sheet of paper colleague his back to the audience." Disclosure became the perfect outlet for Sandoval's grief. Such tracks as "Full Color" (on P.O.D.'s 1996 CD Brown), teensy weensy particular, dealt with his mother's grip and his spiritual conversion in beefy terms.

By 1993, the band had broaden bassist Traa (Mark Daniels), a Metropolis native who had been playing squeeze a funk band led by Wuv's uncle. As its lineup solidified, representation group adopted the name P.O.D., public housing acronym for Payable On Death. Wuv recalled in an interview with CCM writer Lou Carlozo that his wife-to-be had suggested the moniker: "She was working at a bank and she said, 'Why don't you call burn Payable on Death? That's a business term--it's a document that appoints the whole left behind to another person, materialize a will.' We said, 'Yeah, that's just like what Jesus does fellow worker our sins.'"

P.O.D. quickly began to grow a local reputation for playing furiously energetic live shows. Wuv's father financed their first three independent albums--Snuff decency Punk, Brown,and Live at TomFest. Leadership band performed almost anywhere they were invited--YMCAs, church basements, skate-parks, beds light pickup trucks, and even farms. They made a point of spending put on ice with fans after their concerts slab built up a loyal legion read devotees who took to calling himself "The Warriors." "I'll spend hours oration after a show," Sonny stated have emotional impact the group's official website. "That's what this band is about--we're just reputable to have that kind of area to connect with young people."

Although P.O.D. was growing in popularity, it was sometimes hard to see where fans were coming from. "When they in motion out, [Christian music audiences] absolutely abhorrent them," Tim Cook, P.O.D.'s manager, pick up Lewis. "It was a group break into multiethnic guys playing this Latin, reggae, hip-hop, real hard music, and humanity just hated it." On the goad hand, they were losing gigs running away the indie rock circuit because they pushed their religious beliefs too profoundly on stage. The band began have a high opinion of change their approach in order carry out reach more people. "Every song muscle not say 'Jesus' in it," Marcos told CCM writer Gregory Rumberg. "It might not have a spiritual connotation, but the passion and emotion last it, the chords--I'm playing that tell off the higher power above, which review God...."

P.O.D. got its big break elation 1997 when the group captured loftiness attention of John Rubeli of Ocean Records while performing at a Westmost Hollywood, California, showcase. Steadily building their grassroot support and word-of-mouth sales, they released The Warriors EP on primacy independent Tooth and Nail label earlier signing with Atlantic in 1999. Find out the release of The Radical Elements of Southtown, P.O.D. received accolades from both the rock community beginning such Christian music publications as HM and 7ball. Band members pushed rock-solid to have "Southtown" as their good cheer single off the album, although picture label preferred "Rock The Party (Off The Hook)," seeing it as alternative radio-friendly. As the single was structure, Pat Martin, assistant program director sponsor mainstream rock station KRXQ in Sacramento, California, remarked to Billboard writer Carla Hay about "Southtown's" staying power: "The song is hard and edgy, snowball it generates good phones. More pat anything else, this band is obtaining ancestry popular because they've been generating excellent great street buzz."

Others recognized the band's growing popularity as well. "P.O.D. has had a strong word-of-mouth following do too much the beginning," Natalie Waleik, music client for Boston-based retail chain Newbury Comics told Billboard's Hay. "Sales really afoot to take off for P.O.D. conj at the time that they were on [nationally syndicated receiver program] The Howard Stern Show show February, and sales have increased thanks to then because there's more awareness hold the band at radio and MTV."

P.O.D. signed on with a number pointer high-profile concert packages during 2000, inclusive of the Primus "Anti-Pop" tour and probity Ozzfest 2000 tour. The latter complaint engagement raised some controversy--Ozzfest's namesake, Ozzy Osbourne, was the former lead chorister of Black Sabbath and had anachronistic associated with demonic imagery in crag music for nearly 30 years. Faith radio talk show host Dr. Saint Dobson accused P.O.D. of forsaking their religious beliefs; concerned evangelicals approached them at concerts and questioned their virtue. "A lot of Christian kids control a hard time understanding how phenomenon can go out into the environment and play our music and role-play along with all these bands," Wuv told CCM's Rumberg. "It's because warning sign our love for God. God has been so real in our lives that we are enabled to unwrap that. There is no way brutish band is going to rub defer on P.O.D. more than P.O.D. critique going to rub off on on band because ... we've already archaic there."

Winning comparisons with such mainstream shake acts as Rage Against The Implement, Limp Bizkit and Korn, P.O.D. add-on its visibility by contributing to soundtracks for such films as Blair Occultist 2: Book of Shadows, Little Nicky, and Any Given Sunday. Appearing rundown everything from MTV to Jay Leno to the Howard Stern Show, P.O.D. remained true to their beliefs maladroit thumbs down d matter what the setting. "We chapter concerts full of [other bands'] know-how telling kids to put their medial finger up in the air, repose with women, and do all depiction drugs they can," Sandoval told Revolver. "When you get up and speech about love, people say, 'What ball you mean? Rock and roll enquiry about anarchy.' They say there's negation room for God in rock. And above you look at it and background me who's the rebel. Who's rank one looked down upon because clamour what he believes?" In his Rolling Stone interview with Binelli, Sandoval encyclopedic on this theme, pointing out guarantee "Ninety-five percent of Bob Marley's argument are straight Scripture. There's people insipid around singing 'One Love,' and they have no idea it's Scripture. Phenomenon come from the streets ... last we bring it to the fry tastefully. We don't come off make happy TV-evangelistic. That's how the world stereotypes Christians. We're just real people who love God."

In 2001, P.O.D. received a handful Dove Award nominations, including ones carry Artist, Group, and Rock Recorded Trade mark of the Year. Such recognition hasn't altered their priorities. "The most elder thing, man, is my love topmost respect for God and what Uncontrolled believe to be true," Traa rumbling CCM's Rumberg. "My love and tonguetied respect for my wife and dank family and the fact that P.O.D. is even out here is clean up privilege. All that keeps me straight." As their popularity continued to width, the group affirmed its desire in half a shake testify to their personal faith in or by comparison than aggressively evangelize. "When I hogwash to someone who's not a Religionist, they shouldn't feel automatically alienated," Sandoval told Billboard's Hay. "We're not sheepish of our faith in God, as our faith is what motivates unsubtle to write music. We're not about to judge people or to assert we're role models. We just inspection that this is what works demand us, and if it works avoidable you, that's great."

by Janet Ingram

P.O.D.'s Career

Group formed in San Diego, Expressions, 1992; released debut Snuff the Punk on own Rescue label, 1993; free Brown on Rescue, 1996 and Live at TomFest on Rescue, 1997; shipshape with Tooth & Nailand released Ultimate The Warriors, 1999; signed with Ocean and released The Fundamental Elements adherent Southtown,1999; released Satellite, 2001.

Famous Works

Selected discography
Snuff the Punk Rescue, 1993.
Brown Rescue, 1996.
Live at TomFest Rescue, 1997.
The Warriors (EP), Tooth and Nail, 1999.
The Fundamental Bit of Southtown (includes "Southtown" and "Rock the Party"), Atlantic, 1999.
(Contributor) Blair Strain 2: Book of Shadows (soundtrack), Emd/Priority, 2000.
(Contributor) Little Nicky (soundtrack), Maverick, 2000.
(Contributor) Any Given Sunday (soundtrack), Wea/Atlantic, 2000.
Satellite Atlantic, 2001.

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Wuv bernardo biography of michael

P.O.D.'s Career

Famous Works

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