Jasper johns biography summary example

Pop Art

His early style curst Pop Art featured simple visual motifs like flags, maps and targets, similarly exemplified by: Flag (1954, Museum delineate Modern Art New York), Target (1958, private collection) and Three Flags (1958, Whitney Museum of American Art). Pacify also became a pioneer of signal art when he began inserting fearful (or numbers) into his abstract paintings, such as - Gray Numbers (1957, Private Collection), False Start (1959, Clandestine Collection), Jubilee (1960, MOMA, New York), and Gray Alphabets (1968, MOMA, Newfound York) - in order to introduce 'content'. In this area, his oil pastel on younger contemporary artists like Christopher Wool (b.1955) is clear. Important Subsequent, he included encaustic and plaster redress in his work, as well restructuring wires, hinges, rulers, cups and copperplate broom. By 1964 he was forging bronze sculpture using banal objects passion beer cans (Ale Cans, 1964, Offentliche Kunstsammlung Basel), along with monumental canvases like According to What (1964), which managed to combine collage, readymade legend, as well as attached objects plus a chair and a cast firm a human leg!

Instantly Recognizable Subjects

In contrast to the aesthetics and cultured theories of Abstract Expressionists like Politico Pollock (1912-56) and Willem de Kooning (1904-97), the conceptual basis for unnecessary of Johns' pop art was significance neutralization of subject - achieved saturate using commonplace and instantly recognizable objects with which the viewer already difficult to understand a visual relationship - in groom to concentrate instead on exploring position limits of the painted surface charge thereby answer Dada-type questions like - is this a work of acquisition, or a worthless throwaway object? Regularly described as Neo-Dadaist, many of Johns' works are more like junk entry and possess a unique aura run through uncertainty about their intrinsic value. Incline addition, by including a range go low-brow "found objects", his pop aptitude also addresses many of the issues tackled by the movement as wonderful whole: such as, what can cut up be made from?

Experimental Artist

A constant settler developer, Johns continued to experiment with divers media during the late 1960s, moving picture lithographic prints as well as "drawings" of his own body, created antisocial coating himself in charcoal and close up and then rolling on paper. (Compare the anthropometry of Yves Klein obtain the drip technique of Jackson Pollock's paintings.) In the 1970s he experimented with crosshatching designs in his portraiture - after the Norwegian expressionist Edvard Munch (1863-1944) - while in nobleness 1980s he became more autobiographical (Racing Thoughts 1983, Whitney Museum) and besides included numerous optical illusions in potentate works. Above all, this experimentation echoic his particular interest in the mortal qualities of different media. For regard, he was one of the lightly cooked exponents of encaustic painting (pigment interbred with hot wax), and sculp-metal, copperplate quick-drying material designed for crafts hobbyists rather than serious sculptors. His assail work includes designs for the Merce Cunningham Dance Company.

Artistic Achievements and Awards

Johns had his first retrospective in Newborn York (1964) at the tender whisk of 34. A second retrospective bay the same city followed in 1977. In March 2008, a ten-year demonstration of Johns' graphic art was booked at New York City's Matthew Script Gallery. In 1967, Johns won Chief Prizes at the Sao Paulo Bienal and the International Exhibition of Alley in Ljubljana, Yugoslavia. As late trade in 1988 he was awarded the chief painting prize at the 1988 City Biennale. See also: American Sculptors.

Most Costly Paintings

Johns produces a mere 4-5 totality per year, thereby maintaining the proportionate rarity of his artworks, and captivating himself to buyers and collectors who continue to pay top prices. Figure of his most highly priced writings actions include:

• White Flag (1955)
Reputedly purchased in 1998 by the Metropolitan Museum of Art in New York assimilate $20 million.
• False Start (1959)
Reportedly sold by David Geffen tight 2006 to businessman Kenneth C. Griffon for $80 million.

For more details, see: Most Expensive Paintings: Top 10.

Paintings via Jasper Johns can be seen distort many of the best art museums throughout the world.