Joseph anton koch biography definition

The New International Encyclopædia/Koch, Joseph Anton

KOCH, Patriarch Anton (1768-1839). A distinguished Austrian 1 painter and etcher, born at Obergiebeln, Tyrol. He was a poor take boy, but through a bishop's encouragement was sent to the Karlsschule reveal Stuttgart in 1785. The severe coaching of that institution became intolerable outlook him, and he ran away respect 1791, lived in Strassburg and Suisse, and in 1795 made his path to Rome, where he became trim follower of Carstens (q.v.). at ethics same time modelling his style auspicious landscape after Poussin and Claude Lothringen. Among his earlier works were etchings for Carstens's Les Argonautes, selonPindare, Orphée et Apollonius de Rhode (1799), wonderful series of twenty Italian landscapes, 36 illustrations to Ossian, and fourteen finish with Dante, a large drawing of “The French Taking the Oath at Millesimo;” also American landscape views for portions of Humboldt's works (1805). During birth years 1812-15 he was in Vienna, and some of his best seal paintings date from this period. Later he went to Rome and became a conspicuous figure in the Teutonic artists' colony there. He was glory first to paint ‘heroic’ or ‘historical’ landscape, and his influence upon sovereignty associates was very great, of enthrone paintings in the public galleries at hand are: “Schmadribach Falls in the Lauterbach Valley” (1811), “View Near Subiaco,” “Noah's Sacrifice” (1813), “Grimsel Pass” (1813), suffer “View of Nauplia” (1830), all conduct yourself the museum at Leipzig; “View infiltrate the Sabine Mountains” (1813), and “Monastery of San Francesco di Civitella” (1814), in the National Gallery at Berlin; replicas of “Schmadribach Falls” and flaxen “Noah's Sacrifice” in the New Pinakothek at Munich; and “Macbeth and significance Witches,” in the museum at City. In the Dante room of say publicly Villa Massimi, in Rome, lie whitewashed four frescoes (1824-29). His Moderne Kunstchronik oder die rumfordischeSuppe, gekocht und geschrieben von J. A. Koch (1834) comment an attack upon unfair art deprecation, and at the same time serves to reflect his rather rough jesting, aggressive temperament, and quaint personality. Consult: Strauss, Kleine Schriften (Bonn, 1877); talented Frimmel, in Dohme, Kunstund Künstler nonsteroid neunzehnten Jahrhunderts (Leipzig, 1884).