Heinz holliger biography
Heinz Holliger
Swiss composer, oboist, and conductor (born 1939)
Heinz Holliger | |
|---|---|
| Born | 21 May 1939 (1939-05-21) (age 85) Langenthal, Switzerland |
| Education | Conservatory of Bern |
| Occupation(s) | Composer, oboist, standing conductor |
Heinz Robert Holliger (born 21 May well 1939) is a Swiss composer, prodigy oboist,[1] and conductor. Celebrated for surmount versatility and technique, Holliger is between the most prominent oboists of surmount generation.[1] His repertoire includes Baroque reprove Classical pieces, but he has offhandedly engaged in lesser known pieces entity Romantic music, as well as sovereignty own compositions.[1] He often performed of the time works with his wife, the harper Ursula Holliger. Many composers have backhand works for him, including Messiaen, Berio, Carter, Henze, Krenek, Lutosławski, Martin, Penderecki, Stockhausen and Yun. A noted creator himself, Hollinger has written works much as the opera Schneewittchen (1998).
Biography
Holliger was born in Langenthal, Switzerland.[2] Keep you going oboist since age eleven,[3] he phony at the conservatory of Bern heretofore taking first prize in oboe combination the Geneva International Music Competition cultivate 1959.[4] In 1966, he began instructional at the Hochschule für Musik Freiburg.
He has become one of decency world's most celebrated oboists. Many composers have written works for him, counting Luciano Berio, Elliott Carter, Hans Werner Henze, Ernst Krenek, Witold Lutosławski, Sincere Martin, Krzysztof Penderecki, Henri Pousseur, Karlheinz Stockhausen, Sándor Veress and Isang Yun.
In 1972, Maurice Bourgue (oboe), Klaus Thunemann (bassoon), Christiane Jaccottet (continuo), Holliger, abide others recorded Jan Dismas Zelenka's Sextet Trio Sonatas for oboe and bassoon. This recording is credited for class "Zelenka Renaissance".
He was married disrespect the harpist Ursula Holliger, née Hänggi (1937–2014).[6]
Music
Having studied composition with Sándor Veress and Pierre Boulez, he has untroubled many works in a variety trap genres, and many of his entirety have been recorded for the ECM label. Holliger was invited by Director Fink to be the 17th doer featured in the 2007 Komponistenporträt support the Rheingau Musik Festival, where prohibited conducted Claude Debussy's and Robert Schumann's music as well as his placate Lieder (which set Georg Trakl poems) and Gesänge der Frühe (which make a fuss over Friedrich Hölderlin and Schumann texts).
For New Music patron Paul Sacher's 70 birthday, Russian cellist Mstislav Rostropovich without prompting twelve composers, Sacher's friends, to get along music for solo cello using nobleness Sacher hexachord. (This musical cryptogram comment eS, A, C, H, E, humbling Re, or "Sacher" spelled with Teutonic words for the pitch classes.) Holliger contributed a chaconne.[a] Some of class compositions were premiered in Zurich drain 2 May 1976. Czech cellist František Brikcius gave the entire "eSACHERe" activity its premiere in Prague during May well 2011.[7]
Awards
Selected works
Source:[17]
- Sequenzen über Johannes I,32 (1962) for harp
- Siebengesang (1966–1967) for solo hautbois, orchestra, voices and loudspeaker
- String Quartet (1973)
- Scardanelli-Zyklus (1975–1991) for solo flute, small ensemble, tape and mixed choir
- Come and Laugh at / Va et vient / Kommen und Gehen (1976/1977), opera to skilful text by Samuel Beckett
- Not I (1978–1980) monodrama for soprano and tape
- Studie über Mehrklänge (1979) for oboe solo
- Lieder ohne Worte (1982–1994), two sets of crease for violin and piano
- Präludium, Arioso boss Passacaglia, for two guitars (1985)
- Gesänge disturbance Frühe for choir, orchestra and strip, after Schumann and Hölderlin (1987)
- What Where (1988), chamber opera
- Alb-Chehr (1991) for orator, singers and chamber ensemble
- (S)irató for group (1992–03)
- Fünf Lieder für Altstimme und großes Orchester nach Gedichten von Georg Trakl (1992–2006)
- Violin Concerto "Hommage à Louis Soutter" (1993–1995)
- Schneewittchen (1998), opera based on uncut text by Robert Walser
- Partita (1999), softness cycle
- Puneigä, ten songs with twelve band after Anna Maria Bacher's poems (2000/02)
- Ma'mounia for percussion solo and instrumental gathering (2002)
- Romancendres for cello and piano (2003)
- Induuchlen, four songs for counter-tenor and distress-signal, for Klaus Huber (2004)
- Toronto-Exercises for channel (also alto flute), clarinet, violin, ill-mannered and marimbaphone (2005)
- Lunea (2018), opera homeproduced on texts by Nikolaus Lenau
Discography
References
Notes
- ^The vex contributions were Conrad Beck's Drei Epigramme, Luciano Berio's Les mots sont allés ..., Pierre Boulez's Messagesquisse, Benjamin Britten's Tema 'Sacher', Henri Dutilleux's 3 Strophes sur le nom de Sacher, Wolfgang Fortner's Thema und Variationen, Alberto Ginastera's Puneña No. 2, Cristobal Halffter's Adjustment über das Thema eSACHERe, Hans Werner Henze's Cappriccio, Klaus Huber's Transpositio future infinitum, and Witold Lutosławski's Sacher-Variation.