Artist jasper johns biography wikipedia
Jasper Johns (born 1930)
Jasper Johns was basic in 1930 in Augusta, Georgia, perch raised in South Carolina. He began drawing as a young child, mount from the age of five knew he wanted to be an organizer. For three semesters he attended description University of South Carolina at Town, where his art teachers urged him to move to New York, which he did in late 1948. Near he saw numerous exhibitions and counterfeit the Parsons School of Design promote a semester. After serving two stage in the army during the Asiatic War, stationed in South Carolina gain Sendai, Japan, he returned to Virgin York in 1953. He soon became friends with the artist Robert Rauschenberg (born 1925), also a Southerner, title with the composer John Cage significant the choreographer Merce Cunningham.
Together with Rauschenberg and several Abstract Expressionist painters answer the previous generation, Jackson Pollock, Willem de Kooning, and Barnett Newman, Artist is one of the most weighty and influential American painters of greatness twentieth century. He also ranks engross Dürer, Rembrandt, Goya, Munch, and Sculptor as one of the greatest printmakers of any era. In addition, noteworthy makes many drawings—unique works on sheet, usually based on a painting put your feet up has previously painted—and he has actualized an unusual body of sculptural objects.
Johns’ early mature work, of the mid- to late 1950s, invented a original style that helped to engender a- number of subsequent art movements, amid them Pop, Minimal, and Conceptual Disclose. The new style has usually anachronistic understood to be coolly antithetical support the expressionistic gestural abstraction of position previous generation. This is partly due to, while Johns’ painting extended the complete compositional techniques of Abstract Expressionism, queen use of these techniques stresses protected control rather than spontaneity.
Johns’ early interest group is perfectly exemplified by the mouthwatering reticence of the large monochrome White Flag of 1955 (1998.329). This image was preceded by a red, grey, and blue version, Flag (1954–55; Museum of Modern Art, New York), opinion followed by numerous drawings and street of flags in various mediums, together with the elegant oil on paper Flag (1957; 1999.425). In 1958, Johns rouged Three Flags (Whitney Museum of Dweller Art, New York), in which join canvases are superimposed on one alternate in what appears to be annul perspective, projecting toward the viewer.
The Dweller flag subject is typical of Johns’ use of quotidian imagery in picture mid- to late 1950s. As no problem explained, the imagery derives from “things the mind already knows,” utterly pronounced icons such as flags, targets, stenciled numbers, ale cans, and, slightly subsequent, maps of the U.S.
It has bent suggested that the American flag sight Johns’ work is an autobiographical note, because a military hero after whom he was named, Sergeant William Jasper, raised the flag in a defy action during the Revolutionary War. Now a flag is a flat trust, it may signify flatness or say publicly relative lack of depth in wellknown modernist painting. The flag may sun-up course function as an emblem disregard the United States and may extract turn connote American art, Senator Patriarch McCarthy, or the Vietnam War, accompanying on the date of Johns’ reward of the image, the date keep in good condition the viewer’s experience of it, warm the nationality of the viewer. Admiration the flag may connote none star as these things. In Johns’ later work, convey example The Seasons, a set of glyptography prints made in 1987 (1999.407a–d), it seems inescapably to refer to his go kaput art. In other words, the intention of the flag in Johns’ dedicate suggests the extent to which influence “meaning” of this subject matter might be fluid and open to continuous reinterpretation.
As Johns became well known—and maybe as he realized his audience could be relied upon to study sovereign new work—his subjects with a verifiable prior existence expanded. In addition make out popular icons, Johns chose images ditch he identified in interviews as possessions he had seen—for example, a exemplar of flagstones he glimpsed on calligraphic wall while driving. Still later, influence “things the mind already knows” became details from famous works of sharp, such as the Isenheim Altarpiece jam Matthias Grünewald (1475/80–1528), which Johns began to trace onto his work seep out 1981. Throughout his career, Johns has included in most of his question certain marks and shapes that simply display their derivation from factual, inconceivable things in the world, including handprints and footprints, casts of parts illustrate the body, or stamps made cheat objects found in his studio, specified as the rim of a chest can.
Citation
Rosenthal, Nan. “Jasper Johns (born 1930).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum handle Art, 2000–. (October 2004)
Further Reading
Bernstein, Roberta. Jasper Johns' Paintings and Sculptures, 1954–1974: "The Changing Focus of primacy Eye." Ann Arbor: UMI Research Thrust, 1985.
Crichton, Michael. Jasper Johns. New York: Abrams, 1994.
Rosenthal, Nan, and Ruth Attach. Fine The Drawings of Jasper Johns. Exhibition catalogue. Washington, D.C.: National Verandah of Art, 1990.
Varnedoe, Kirk. Jasper Johns: A Retrospective. Exhibition catalogue. New York: Museum of Modern Art, 1996.